What is Life’s Work?

At the recent St. Patrick’s Day concert at the Kennedy Center, the Irish Ambassador was invited to share a ritual he follows. Every day the ambassador tweets out a poem written by an Irish author. He chose to read one by William Butler Yeats (1865-1939). By coincidence I saw this Yeats poem in a display case celebrating National Poetry Month:

The Choice

The intellect of man is forced to choose
perfection of the life, or of the work,­
And if it take the second must refuse
A heavenly mansion, raging in the dark.
When all that story’s finished, what’s the news?
In luck or out the toil has left its mark:
That old perplexity an empty purse,
Or the day’s vanity, the night’s remorse.

As I transition to “just a member” status this philosophic statement raised two questions. Are life and work (The Choice) truly separate? And, how hard is it to make something worthwhile that will last?

Lamentations and Aspirations

Contemplation during Tenebrae

How does one retain hope in the face of seemingly contrary system ambitions, apathy for engagement beyond immediate responsibilities, and the all-consuming worship of credit union institutional success? Where is purpose in a time of national agendas dominated by topics such as cannabis legislation, CECL accounting, cybersecurity and secondary capital? How do member circumstances become a priority that supersedes traditional product messaging?

It seems the unceasing focus on credit unions’ performance constantly overwhelms the uplifting of member hopes.

How can cooperative leaders better balance competitive requirements and corporate vision? The resolution may line in a brief phrase from Leonard Cohen, the poet and composer, who wrote:

Ring the bells that still can ring
Forget your perfect offering
There is a crack, a crack in everything
That’s how the light gets in.

Music in the Moment

Due to an eye treatment, I was unable to see the CNN pictures of the burning Notre Dame Cathedral in Paris. I could hear the commentators describe the event. But what moved me the most was the sound of the hymn singing constantly in the background. At times the announcer was silent. Only the sound of the spontaneous songs, once raised within the Cathedral, were heard accompanying the orange flames of the burning central spire.

Music was the crowd’s expression of shared sorrow. Something spoken words, nor even silence, could adequately express. The hymns were reverent, gentle and even prayerful in response to the ongoing destruction being witnessed. Momentarily helpless as almost ten centuries of human labor and history burned, they shared their individual emotions, together.

Music does transcend ordinary experiences. And it commemorates extraordinary ones. This, for many, is Holy Week, marked by a series of religious services. Maundy Thursday, Good Friday, Tenebrae services, Easter Vigils and finally the triumphal celebration of Easter morning.

Each of these shared observances will be accompanied with sound and song to augment what words alone cannot capture.

Music celebrates a fundamental truth of human experience. It requires both a listener and a musician to be fully realized. None of us is alone, even in moments of extraordinary tragedy or joyful exuberance.

As we observed the destruction of a historical monument, we have also seen the capacity of humans to share their most tender feelings as one. And that is the foundation for a new creation to emerge. Happy Easter.

What’s with the Statue?

The Seated Boxer, an iconic ancient Greek work of art, shows a grizzled veteran of the ring, equal parts resigned and ready to spring into action. 

What I like is a sense of respite from competition, the powerful athletic physique and the tiredness that surrounds his humanity.  Is he a winner this day? Are there more fights to go?  How will his efforts be remembered?

These are questions that all of us encounter, in literal or figurative ways, in our daily efforts. 

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